“Experience tradition anew” is the leitmotif guiding the mutual work of the Stiftung Preußische Schlösser und Gärten and the Mosaik-Werkstätten für Behinderte GmbH (Mosaic Workshop for People with Dis
Our Sincerest Thanks! Restoration and conservation work, exhibitions, acquisitions, and educational programmes are just some of the initiatives that would not be possible without the active financial
The Archival inventory of the Königliche Porzellan-Manufaktur Berlin (KPM) The Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (SPSG) is responsible for the conservation and scholarly rese
Art and Study Collections of the KPM Archives The Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (SPSG) is responsible for the conservation and scholarly research of the historic collecti
16.02.2015 Women’s Business. How Brandenburg Became Prussia (FRAUENSACHE. Wie Brandenburg Preußen wurde) Exhibition in the Theater at Charlottenburg Palace, Berlin August 22 – November 22, 2015 2015 m
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Marble, SPSG Skulpt.slg. 5579 Schadow modelled the Girl Spinning (13) in 1816. The young woman is depicted holding a finished clew of yarn in her raised left hand. The hanging threads and the attached
For the first time four sculptures are arranged here as Ridolfo Schadow (10) imagined it in his studio in Rome (4). Cupid (11) gazes down contemplatively from his godly sphere at three young women who
As head of the Royal Sculpture Workshop, the founder of the Berlin School of Sculpture (17), Johann Gottfried Schadow (1764-1850), trained his oldest son Ridolfo and involved him in the execution of i
Marble, SPSG Skulpt.slg. 2800 From the beginning Schadow planned to arrange the three seated girls opposite Cupid (11). Following a smaller earlier version, the work on this version began in 1821. How
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